2cross2affliction's stories

"It's a brutal world for all of us, really, and some aspects of it are not comfortable for the sentimental or the squeamish. Somehow that's never dimmed my love for all animals. I celebrate their beauty, even the darker side of it." (Introduction, The Book of Deadly Animals)

"The predators far outnumbered the vegetarians."
(last words, The Red Hourglass: Lives of the Predators)

It's October, the "spooky" month with Halloween at the end of it; I sometimes take advantage of that to bring to light something a bit more horror themed than the usual Flayrah fare.

This year, I'd like to share the non-fiction books of Gordon Grice, which are about animals and their sometimes very tense relationship with man, because they are some of the scariest things I've ever read, and so appropriate enough under the "it's about animals and it's spooky" month to stretch the boundaries of what a furry publication can cover. Furthermore, from a personal angle, Grice spent much of his life where I'm originally from, the Oklahoma Panhandle (we share a birth town), and I occasionally like to shine a light on what would be to me local authors.

"The Red Hourglass: Lives of the Predators", Delacourte Press, 1998, 259 pages, Kindle $5.99, hardcover $19.32, paperback $17.10
"The Book of Deadly Animals", Penguin Books Ltd., 2010, xxvii + 383 pages, Kindle $4.99, paperback $24.00, illustrated, originally published as Deadly Kingdom

Chris Sanders has only directed four animated features (plus a live action adaptation Call of the Wild), and the previous three (Lilo & Stitch, How to Train your Dragon and The Croods put him in four way tie for most nominations without a win in the Best Animated Feature category at the Oscars. It feels pretty certain that The Wild Robot will be the movie that finally wins him that Oscar, but we'll keep such speculation to a minimum.

Sanders's first feature, Lilo & Stitch, is probably the only truly great movie to come out of Walt Disney Animation Studios in the first decade of this century. (To be clear, you're allowed to like other movies from that decade, but most were flawed.) Anyway, the upshot of Lilo & Stitch becoming a beloved classic is that its directors, Sanders and his writing and directing partner, Dean Deblois, were driven out of Disney by John Lasseter a few years later (I don't like that guy).

Sanders and Deblois took their talents to DreamWorks Animation, where they delivered How to Train Your Dragon to the studio, often seen as one of the highlights of its output.

I've often seen Sanders cast as the "idea guy" in the Sanders/Deblois partnership, as well as being the guy who brings a lot of unique visual aspects to his projects, while Deblois is the more story-driven member of the partnership, bringing in the emotional aspects. I'm not so sure about that, especially after this movie, which features an emotional story just as potent as Lilo & Stitch and How to Train Your Dragon, sans Deblois. The Wild Robot also features a visual design that echoes the original illustrations of the book it's based on, by Peter Brown, showing Sanders is more than just a recognizable art style.

Back in April 2020, I ranked the then-existing furry and furry-adjacent "skins" in popular online "battle royale" game Fortnite. Since then, the number of purchasable animal-themed skins has doubled; there are also far more anthropomorphic animal skins running around. The following is a ranking of skins that appeared since the original list, to try and keep up with the growth.

Before we even begin, what is some of y'all's problem with Chris Pratt as a voice actor?

He's a fine actor who can do comedy sidekick (his breakout role in the sitcom Parks and Recreation), character actor in supporting role (he had small but important roles in Best Picture nominees three years in row with Moneyball, Zero Dark Thirty and Her), full on movie star (he's great in Guardians of the Galaxy and, remember, I liked Jurassic World), and, yes, voice actor (The Lego Movie). And by all accounts he's a nice guy people like working with, and that does matter. He's hardly the only guy who does a lot of voice work, either. Since theaters like to play ten trailers before a movie before, I was able to notice a lack of Chris Pratt (or another personal favorite who people like to complain about online, Awkwafina), but not Keegan-Michael Key, who is way more ubiquitous as Pratt in voice work, and is often even in the same movie as both Pratt and Awkwafina, but who never gets this sort of backlash when cast. And, not to be too mean to Key, who I mostly like, but I've already noted Pratt is actually a pretty versatile actor and Awkwafina has a Golden Globe, while Key is the half of Key & Peele that is starting to look like he got carried by the other half. I'm sure he'll actually be great as Bumblebee, though.

But, to bring the movie I'm supposed to be reviewing into the picture, I really do not get why people were upset Chris Pratt was cast as Garfield, because, come on, it's freaking Garfield. Bill Murray voiced the role in 2004, and Murray went on to bash the movie in his cameo playing himself in 2009's Zombieland, picking it as his life's greatest regret. On the basis of that, if you don't like Chris Pratt, you should be thrilled he got the role! Garfield's creator, Jim Davis, has always been a pretty open about the commercial aspirations of the character. I mean, kind of like Keegan-Michael Key, I like the character fine, but he barely stands out as a comic strip and Saturday morning cartoon star, mediums that are known for producing mostly safe, crowd-pleasing pablum. And that's basically this movie.