georgesquares's stories

Tue 10 Nov 2015 - 00:24

15751365.jpgWhile I could say that Song of the Summer King by Jess E. Owen is a very satisfying action adventure young adult book played straight (which is true; it follows a coming of age story formula and it knows it), there's a lot of subtle choices made by the writer which makes this book stand out: how inaction is in itself implicit action; how listening can appear to be a prophetic power to those who have never attempted empathy; how refusing to choose between two bad options can be a valid choice.

From the beginning of the novel, Shard lives passively: he's enthralled by a patriarchal society of fascist conqueror griffins who believe only the strongest survive. He lives in constant (well-founded) fear of never being trusted and eventual exile, which are his driving influences to seek strength and social accolades. But when Shard's own heritage gets foisted upon him, he has to choose between being comfortable or being ethically consistent with what he finds to be the truth, all the while reconciling his racial differences from the dominant griffin tribe.

Shard has to question everything when he discovers that the world is more complicated than he once thought, and that it is incredibly frustrating when those closest to him continue to live trapped in their oversimplifications about what it means to live a good life.

Spoiler warning: This review does discuss plot elements some may consider spoilers below the break.

Five Elements Press, 2012, $4.99 Kindle, $25 hardcover, $12.99 paperback (264 pages). Illustrated by Jennifer Miller.

Mon 2 Nov 2015 - 18:31

Goccover.jpgWhen I finished God of Clay by Ryan Campbell, I described the experience as "satiating something I was hungry for." And usually when I read genre fiction, I have to take bits and pieces of things I want from the books I read and make compromises. "Well, this book had gay protagonists at least, even if the conflict didn't let you forget that, and the characters paid for it." Or "this book has people of color as opposed to the assumption of a main character's innate whiteness, but it is overshadowed by western mores and still exhibits egregious exoticism." Or "well, there's a woman over 40 who plays a significant role, but she's more or less window dressing."

God of Clay, on the other hand, was a buffet of the things I was hungry for: colorful sensory splendor; anthro and human presence; smart character decisions the fueled further conflict; a non-white cast of main characters; gay protagonists with sexuality not intrinsically tied to the main conflict; a world where you can still be older than 40 and be a woman and make life changing decisions for yourself and your tribe.

See also: Review by Fred.

Sofawolf Press, September 2013, trade paperback $17.95 [on Amazon] ([5] + 259 [+ 2] pages), Kindle $7.99. Illustrated by Zhivago.