Tales of the Tai-Pan Universe #51, a furry science-fiction shared-universe fanzine that was announced in July 2015 as coming soon is finally here. It came out in July 2016, and is a double issue: #51 & #52. With a glossy cover and square binding, it feels more like a book than a fanzine.
Monster Trucks. Do the trucks become anthropomorphic, or do the trucks become inhabited by anthropomorphic monsters? It’s hard to tell from this first trailer; but the movie, coming on January 13, 2017, does look like something that anthro fans will enjoy.
The new Chinese 100-minute animated feature Big Fish & Begonia now has a music video as well as a trailer for promotion. Directed by Liang Xuan and Zhang Chun, and produced by their B&T Studio, the hand-drawn/CG hybrid feature will be released July 8 throughout China. No word on a U.S. release yet.
World Environment Day was established by the United Nations General Assembly in 1972. It is on Sunday, June 5 in 2016. This year’s theme is: “fight against the illegal trade in wildlife”, with the slogan "Go Wild for Life”, and some search engines are getting on board:
Baidu’s India office will launch a new social campaign named “The Last Conversation” to raise awareness of wildlife depletion. The campaign will feature Baidu’s mascot, the “DU bear”, having a final conversation with different endangered animals through a series of posts on Facebook and Twitter, with the goal of urging people to avoid products that cause harm to wildlife. (Baidu India’s 31 May press release)
Baidu's campaign, which started June 1st on Facebook and Twitter, shows the ultra-cute DU bear interviewing critically-endangered species living in India, such as the Himalayan brown bear, as well as other popular species of lesser concern, such as the Bengal fox.
Padak, a 2012 South Korean CGI feature, is coming to America – but not to theaters. EigoMANGA, a San Francisco-based media publisher, has announced that it has been acquired from Lionsgate to be distributed beginning on June 6 on Linux, Mac, SteamOS, Windows, and all other online Steam-supported platforms.
The 78-minute feature, directed and written by Lee Dae-Hee and produced by the E-DEHI studio, will be released with the original Korean voice actors including Kim Hyeon-ji, Si-Yeong-joon, Ahn Yeong-mi-l, Hyeon Kyeong-soo, and Ho-san Lee, and subtitled in English. It was first shown at the Jeonju International Film Festival on July 25, 2012, and has also been shown at international film festivals in Warsaw, Dallas, Melbourne, Vladivostok, Seoul, and other cities, winning awards at many of them.
Billu Gamer, a 90 plus minute live-action/animated Hindi comedy-fantasy feature from director/producer/writer Pankaj Sharma at Astute Media Vision, coming in India in May 2016. Sharma says that it’s slightly over half VFX and 3D animation.
Patty is a live-action teenage boy at a school where a lot of Bollywood-style singing and dancing goes on. When he’s depressed from being bullied, the animated Billu from his favorite video game comes to life to be his best friend. Everything seems great, until the video-game villains follow Billu into the real world. Patty and Billu have to team up in the video world to win. The first half of the trailer is live-action; then the animated Billu and some dog-headed humans appear, and there are an animated tiger and an angry elephant. There’s more information at The Hans India.
The Chinese aren’t finished with releasing animated anthropomorphic features almost on top of us – in China, anyway. Big Fish and Begonia (Da Hai), 100 minutes, directed by Liang Xuan and Zhang Chun, produced at Studio Mir (maker of The Legend of Korra) in Seoul, South Korea in traditional cartoon animation, and distributed by Enlight Media, is scheduled to be released in China on July 8.
The story is from a traditional Taoist legend, taken from Zhuangzi. The gods – or celestial beings, anyway – control time, tides, and the changing of the seasons of the Middle Kingdom (a.k.a. our Earth). When the young Chun is 16 years old, she is turned into a dolphin to experience our world at first hand. She is engulfed by a storm and gets caught in a fishing net, from which she is rescued by a human boy at the cost of his life. Chun is moved by his sacrifice and determines to restore him to life. To do this she must give his soul rebirth as a tiny fish, and protect him as he grows. Over time Chun grows to love the fish, but when he is grown, she must release him to become human once more.
The synopsis does not say where the story is set, but the boy is noticeably blond, implying that the feature is intended for international audiences.
Tales of the Tai-Pan Universe #51, a furry science-fiction shared-universe fanzine that was 
