I'm not sure if you bought Alector's book of the backgrounds she provided for Red Lantern, but I personally noticed some discrepancies in terms of lighting. Alector used this wonderful style of lights, sticking mostly with a reddish pallet.
Rukis didn't do a very good job with lighting. An example I saw was strongest in the pages where Amon provides his services for Luther. The room is small, almost like a broom cupboard. In that scene, the door is closed, what looks like a window is closed, and the only source of lighting is the lamp on one wall above them. However, the characters look like they are illuminated by candles covering the entire room. Rukis' use of lights without sources comes up quite a few times throughout the book.
Another thing I'm not sure if you caught on to, or even really cared for it, but the scene right before this servicing, we're treated to a very lengthy bit of exposition. To me, it just seemed be awkward pacing to go from long exposition to oral sex.
I'm not sure if you bought Alector's book of the backgrounds she provided for Red Lantern, but I personally noticed some discrepancies in terms of lighting. Alector used this wonderful style of lights, sticking mostly with a reddish pallet.
Rukis didn't do a very good job with lighting. An example I saw was strongest in the pages where Amon provides his services for Luther. The room is small, almost like a broom cupboard. In that scene, the door is closed, what looks like a window is closed, and the only source of lighting is the lamp on one wall above them. However, the characters look like they are illuminated by candles covering the entire room. Rukis' use of lights without sources comes up quite a few times throughout the book.
Another thing I'm not sure if you caught on to, or even really cared for it, but the scene right before this servicing, we're treated to a very lengthy bit of exposition. To me, it just seemed be awkward pacing to go from long exposition to oral sex.
Everything else, I agree with 100%