In Tulsa, Oklahoma, Tails and Tornadoes is a young convention that's been running in the Central U.S. state since 2019. Its premiere year was reviewed here on Flayrah by one-time contributor Koori Kitty. Like the weather system it was named after, the con has subsequently found itself in a whirlwind that's rattled its organization.

The first shakeup was one that affected most gatherings, in that its second year was unable to be held in 2020 due to COVID-19 closures. But on top of this, the same year brought in political fallout from the final year of Trump's presidency. Riots in the American Midwest soon spurred worldwide protests following the murder of George Floyd by a law enforcement officer, where the unarmed black man was strangled by a knee to his neck that was held there for over eight minutes. The entire duration of the strangulation was recorded on a smartphone and shared over the Internet.

The United States government, under the leadership it held, decided to go against the advisability of de-escalation in these matters and instead responded with hostile rhetoric. Given the shutdown of many non-essential jobs due to the pandemic, this created a perfect storm of vocal protests and rioting towards an unsympathetic system, sentiments that spread far beyond the Midwest where the murder took place.

Update: Correction made about staffing shifts from 2020 to 2021 in Tails and Tornados per Koori.

Update: AWOO has released a statement in their Telegram group that the hotel has withdrawn from their contract.

It can feel a kind of madness when the memory of the world has moved on without you and you are left unsmothered. It is not madness, however. The feeling is called injustice, and what I aim to show in this account of events, beginning in May of 2020 and ending with Megaplex of 2021, is that this injustice is a cultural issue in furry, produced from west coast to east by figures as disparate as Samuel Conway, the Megaplex convention board, and the British Columbia Anthropomorphic Events Association (BCAEA). I take these as case studies because they involve prolific figures, because they are current, or—with the BCAEA—because they are well-known to me even if they are not well known in general.

I could have chosen other case studies. There’s no scarcity of them—every few months there is a new bad story about a furry-run community group, a fursuit maker, a popular furry personality, or, most recently, a furry convention. This account, in its intention, is both to attempt a brief history of furry spaces since May of 2020 and to explain them as a part of a larger, overarching, and cultural issue. I do this in part because when there is a bad story every few months—one which often involves trauma of some kind—and numerous smaller pains arrive in the weeks in between, it can feel as though you have walked into a numbing fog.

The details become fuzzy and their dates more distant in memory, although they may have only happened months or weeks ago. For others, however, those bad stories aren’t just stories—they are real things that happened to a person and the numbing fog is not always so kind to them. It can feel a kind of madness, and historicizing them, putting them into context and connecting them with other, similar events, is my choice of remedy.

I grew up a nerdy theatre kid who wanted to be a punk. It taught me that I loathe the spotlight (I was compelled by an editor to add this section on myself). I get stage fright, with only the shakiest of legs, and, while I have an excellent memory—as this account may demonstrate—my perpetually flat affect made me unsuitable for serious acting. After that, I turned to writing, first stage plays, then later and with much more enjoyment, fanfiction. Furry as a subculture was a short leap away. While doing what amounts to queer/feminist studies at university, I joined a small poetry community on FurAffinity in 2016, and, unexpectedly, encountered a few poets who were upset whenever my poems mentioned punching Nazis.

My furry experience has continued in that general fashion ever since.

Ian George Stuart Curtis passed away some time in May of 2021. He was one of the founding fathers of the furry fandom in the UK.

Born in December 1946 in Hull, he grew up on Disney cartoons and funny animal comics like Bonzo the Dog and Rupert Bear. By the time he was in his teens, he also developed interests in wargaming, comics, science fiction and fantasy games as well.

While working as a writer for the military press, he travelled to the USA regularly and used his leisure time to frequent the comic book and science fiction conventions there. This was how he met early furry fans like Pauli Kidd and discovered furry fandom. By the 1990s, he was in contact with fans in the US, Australia, and the UK.